Spirit’s Evolution

Spirit’s Evolution is a large (90”x36”) 3-panel painting or triptych that looks at the evolution of mankind’s relationship with nature. For most of man’s history humans developed as nature developed, subject to all the laws and rhythms of the natural world.  The connection to the earth was deep, natural, spiritual and practical.

In recent history, humans have developed the ability to master and control many aspects of the natural world, often separating from the rhythms and balances of nature’s laws.  The isolation and separation that comes with the quest to control nature and never to experience its discomforts often leaves us unfulfilled, experiencing fears and emptiness.

Many of us have the opportunity and power to listen and connect to the natural world.  We can let it fulfill us and then work to live connected to its laws and rhythms.  It is huge challenge that can be met step by step.  In the end nature and it’s laws will be fine; it is up to us whether allow ourselves to incorporate this natural part of ourselves into our brief time here on earth.

Check in the gallery on my website for a larger version of this painting where you can see the detail.  There is quite a bit of story in the details.

Merging with Reflection

 There is a myth that the Raven was fascinated by it’s reflection and  stared at it with intense concentration.  At one point the Raven and the reflection merged and changed places.  The Raven lived in its reflection and the reflection lived in the world.

Reflection is an aspect of meditation. For me, there is magic and mystery to be explored through meditation.  It is a process of looking at one’s self and seeing deeper and deeper into that self.  My experience is that after digging through the layers of thoughts and ideas that form our concept of self, I often get to a place where the boundaries between my self and the world blur.  I feel connected, expanded and the world I live in takes on new depth and possibilities.

In meditation inner and outer worlds often merge.  The distinction between these worlds is less clear, they entwine, cross over and effect each other.  This is an enriching process.

It Takes a Nest

I have been fascinated by the idea of nest for many years.  About 20 years ago I did a number of works that explored the nurturing structure that provides protection, security and warmth.   Since then nests often re-emerge in my work.  A part of the fascination is the deep and somewhat irrational drive to create and nurture our children. As a father of 4, I have spent over 30 years parenting. As a teacher of adolescents, I have been part of the community effort to help our children grow from total dependence to independence, strength and freedom.

Here are some of the fascinations and ideas that I spent time with and felt during the creation of this painting:

The drive to create and nurture our offspring is one of the deepest, most powerful and natural parts of us.  We all know and experience it in different ways, but it is part of what makes us human; a social animal.

I always marvel at the opspreys when they come back from their migration.  They seem so free; they soar around in the wind, fish a little, bask in the sun and live what seems to be a carefree life.  Then they start building a nest and the next months are completely occupied with hatching, protecting, feeding and teaching their young.  They send them on their way and start all over again.

The village or community is the nest expanded.   For life to thrive it takes a community to create a safe and nurturing environment for our young.   It is in the sharing of these deep values and duties that a community bond is formed.  The more we share and support the raising of our young the richer we are as a community.  Children raised in this richness develop awareness of their worth and have a better chance of a rich, fulfilling life.  For me, this is a deeply held belief.

 The Shadow of A City is the beginning of a series that juxtaposes cities with nature in a variety of ways.  It is a non judgmental comment on our relationship with the earth.  As we have become 7 billion beings, largely gathered in urban centres, it is easy to view humans as a cancer on the earth.  Or maybe we are a natural step in the evolution of this planet.  It is possible that the power of nature that created the beauty of this planet has the power and influence to bring things in to balance.  For me this beauty and power is to be celebrated, even worshipped, yet I am a part of the species that is changing the face of nature, of the earth itself.  As nature brings things in to balance it may be very painful to mankind and to the idea of our own power.  I do not make the judgement that we are a good or bad part of nature.  I do think a little reflection on our situation, a little awareness and a little humiiity could go along way.

Most of my paintings are more like chapter books than posters.   They may be a little slower to make an impression but with a little time the many thoughts and ideas behind become more visible.  It is not necessary to see or understand all of the ideas and stories that I have involved myself in while painting them, but it is my hope that people find their own stories and entertain their own ideas as they spend time with the painting.  For many years I would not give any hint of my stories and ideas beyond the title because I hoped people would find their own way in to the paintings.  At one show in a government gallery I was asked to give a talk about the paintings.  I noticed that explaining where I was coming from in a painting gave many people a way in and a place to start their relationship.  Since then I have been more open to sharing at least an idea or two about the work. In this Painting Stories section I will share a few thoughts about the work.  It is still my hope that viewers expand on these ideas as they hang out with each painting.

Currently I am deep in to a series of paintings about man’s relationship to the earth; where and how we live.  It was to be a series about habitat or places to live but has evolved in to an exploration of cities and their relationship to nature.  I won’t be finished this series until next summer and then I hope to show them here on the east shore of Kootenay Lake and in Nelson.  I am currently looking for a gallery in Calgary for a show.  If anybody has any suggestions or contacts for a place to show a cohesive series of a dozen or so large paintings please ;et me know.   In the spring I will start photographing these works and posting them.  Until then I will continue to write out the stories behind paintings I have done over the last couple of years.

The Rhythm Keepers

Camping with my family in the jungles of Chiapas, in Southern Mexico, was an experience of the powerful pulse of nature.  As it gets dark, the critters of the tropical jungle amp up the noise level; frogs, birds, howler monkeys, trillions of insects and lots of noises that I have no idea what was creating them, call out of the black night.  I sat and listened, then felt the power of the noise pushing against my chest.  The sound turned in to a pulsing vibration, like the jungle had a rhythm or a heartbeat.

In The Rhythm Keepers, I explored the idea of rhythm; the rhythms of our heart and our breath always at the centre of our lives.  From that center we connect and open with rhythm in so many ways; it is hard not to move to music and drumming.  We experience a rhythm to our lives in the seasons, the moon and the waves on the ocean.  I think that there are many more rhythms that are senses don’t register which effect us throughout our lives.

As I worked on this painting my mind was blown by the idea that all rhythms are connected, touching effecting each other, as they overlap and blend they become larger stronger rhythms.  I am struck by the idea that they connect to form one rhythm that pulses through the universe.  All the rhythms that we feel can be experienced as the heartbeat of a living universe.